HOOT ONLINE, ISSUE 72, AUGUST 2018 – MICRO FICTION, POETRY, MEMOIR, BOOK REVIEWS
That Way Lies Madness
by Rachael Warecki
art contributed by author
There’s a chair in the corner that looks like it’s trying to escape.
It’s springing from the top of a stack near the window, its hind legs straddling the back of the chair below, its arms reaching toward the ceiling, its back aimed at the window. It’s a suicidal high jump, as if it could reach the cemetery across the street with a Fosbury Flop.
It’s got the right idea: across the room are the remains of a lecture on George Eliot. If I’d been trapped with a lecture on George Eliot, I would’ve sat in that chair—the one with a death wish—and enjoyed the world from a 45-degree angle.
But I’m not attending an Eliot lecture and I’m not sitting in that chair, so all I have to focus on is the fact that the television in the opposite corner might be staring at me.
END
by PB Johnson
art by his 9-year old daughter, Clare Johnson
Giraffe
by Beth Bledsoe
long-necked wanderer
traveling across the savanna
munching on the tallest trees
your colors are plain
though your patterns are unique
Like Balloons
by E. Kristin Anderson
art by Clementine Hoppy
With her big eyes
there had been times
when she would die
from overheard seconds,
the death a little choky,
built gingerly
with weeping,
isolated.
This is an erasure poem. Source Material: King, Stephen. The Girl Who Loved Tom Gordon. New York: Pocket, 1999. 58. Print.
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Rachael Warecki lives in Los Angeles, where her furniture is quite content. She’s received the 2017 Tiferet Fiction Prize, as well as other publication and residency acceptances, and is currently at work on a novel.
E. Kristin Anderson is a poet, Starbucks connoisseur, and glitter enthusiast living in Austin, Texas. She is the editor of Come as You Are, an anthology of writing on 90s pop culture (Anomalous Press), and Hysteria: Writing the female body (Sable Books, forthcoming).